Harmonic Patterns in the Human Body
taken from :
A
larger pattern does indeed appear to be guiding evolution.When we take
both the Blackman spectral analysis and Reflective Interference Model
and compare them proportionally to Leonardo da Vinci’s Vitruvian Man
illustration, we find a number of correspondences between the resonant
gap pattern and key locations in the human body.
The point of maximum resonanc
The point of maximum resonanc
e
(a 5:3 ratio) aligns precisely with the lower throat and top of the
heart. The point of maximum damping (the golden ratio) then aligns with
the lower heart. Together, these two locations correspond to the pumping
action of the heart as it contracts in a twisting or wringing motion
from top to bottom. Arms occupy this same resonant region, branching
outward along the wide open pattern of gaps.
This cannot be only the result of natural selection or random mutation. Other correspondences include a pronounced stripe aligning with the top of the Vitruvian square and several gaps aligning with the brain, navel, perineum and knees. Based on these alignments, it seems undeniable that the human body is structured just like two musical tones diverging over an octave from the toes out to the fingertips. Thus, if the geometry of life is a function of harmonic resonance like a musical octave – then, the spine represents an axis of resonance in the body, partitioned into 24 discrete harmonicfrequencies.
To this point, if we take the radius of the circle to be 2π and then align one full cycle of a harmonic standing wave with the navel, the fifth harmonic (a 3:2 proportion) can be found to match the curvature of the human spine – exactly. More amazing than this, the location and spacing of the seven tones of a musical major scale align with the seven Hindu chakra locations in the body.
Even the traditional chakra colors align to these locations when the perineum (at the bottom of the torso) is assigned red at the bottom of the visible light spectrum. Obviously, someone understood harmonic interference patterns and their presence in the body a long, long time ago.
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This cannot be only the result of natural selection or random mutation. Other correspondences include a pronounced stripe aligning with the top of the Vitruvian square and several gaps aligning with the brain, navel, perineum and knees. Based on these alignments, it seems undeniable that the human body is structured just like two musical tones diverging over an octave from the toes out to the fingertips. Thus, if the geometry of life is a function of harmonic resonance like a musical octave – then, the spine represents an axis of resonance in the body, partitioned into 24 discrete harmonicfrequencies.
To this point, if we take the radius of the circle to be 2π and then align one full cycle of a harmonic standing wave with the navel, the fifth harmonic (a 3:2 proportion) can be found to match the curvature of the human spine – exactly. More amazing than this, the location and spacing of the seven tones of a musical major scale align with the seven Hindu chakra locations in the body.
Even the traditional chakra colors align to these locations when the perineum (at the bottom of the torso) is assigned red at the bottom of the visible light spectrum. Obviously, someone understood harmonic interference patterns and their presence in the body a long, long time ago.
http://
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